![]() Love the umbrella, and the fun sticker art.ĥ. The Penguin: Short and squat, as it should be. The Batcycle design is so sleek that it doesn’t really matter, though, so this looks cool.ħ. Batcycle: Usually I think miniature motorcycle figures are weird, because they look strange without a rider. This just looks like she’s saying “rawr!”Ĩ. I would have liked it more had she had her hand on her hip, exuding grace, confidence, and a bit of danger. Catwoman: Her pose is better than Batman’s, but kind of awkward. Very, very basic, though, when most of the other figures look much more interesting.ĩ. As part of a line with much more interesting vehicles and characters, it’s just kind of bland.ġ0. Bruce Wayne’s Car: If this were a Hot Wheel or something, I might like it more. Gotham City Police Helicopter: Should have been a Police Blimp. It’s a perfect Bat-themed flying vehicle, any way you look at it. ![]() Batplane: The only knock I have toward this is that “Batwing” sounds cooler than “Batplane.” This rocks, though, and I honestly like its design more than the show’s Batmobile. Batcycle: Great design, and I’m pretty sure it has pull-and-release action. Still, it’s awesome and perfectly fits the aesthetic of the show.Ģ. ![]() I only like this design, without full on loving it, as there are other Batmobiles I prefer over this one. Batmobile: Sleek and classic, this is about as perfect an Animated Batmobile as you could hope for. Mainly, I just like Robin, and was near impossible to find back in the day due to a tragic factory fire.ģ. Robin Dragster: Also something that never appeared on the show, though it isn’t quite as on-brand as the Jokermobile. And the launching smile missile is simply perfect.Ĥ. The Jokermobile: The only thing I dislike about this is that it never appeared in the series, because this is 100% something Joker would have driven around in. Multiple levels of play, including facades for Wayne Manor, the Batcave, and the exit for the Batmobile, and it even looks like it can fold up for ease of storage and transportation. Batcave Command Central: While playsets can be relatively hit or miss, this one definitely hits. Aero Bat: The nice, compact design is fun, and the fact that the windshield has eyes painted on it so the whole vehicle looks like a giant Batman face is just beautiful.Ħ. Bat-Signal Jet: “Why would Batman need a jet with a Batsignal on it?”, you ask? Why wouldn’t he? What better way to fight crime than by flying around on a little rocket and blinding your enemies with a huge floodlight? Plus, it’s a fun looking toy, and that’s what really matters.ħ. That man is not in control of the situation at all.Ĩ. My absolute favorite aspect, though, is that Batman looks like he’s hanging on for dear life on the package. Hydro Bat: The vehicle itself has a nice, compact design, and the ability to play with it in water is a plus. Just needs to look a bit more like mustard to be perfect.ĩ. Either way, Bruce needs a sweet ride when he isn’t in costume, and props for giving him a yellow shirt. Bruce Wayne Street Jet: I keep looking at this and the Bruce Wayne Custom Coupe from the Batman Returns line and I can’t tell if it’s the exact same mold or just incredibly similar. Two-Face looks so mad to have been captured, while Batman has an expression of annoyance as if he missed his exit on the freeway. Hoverbat: A little over-designed for a vehicle that should be relatively simple, I like this more because of the art on the box. They still rock, and I would have loved to have been able to see them in the cartoon.ġ1. Truth be told, the first half of this list is full of vehicles that look like they were left over from, like, Masters of the Universe and G.I. Electronic Crime Stalker: For when you want to stalk crime, electronically.ġ2. Ice Hammer: None of these vehicles are awful, so this particular list goes from “good” to “great.” I’d gladly take an Ice Hammer vehicle any day without hesitation, but would prefer the other 13 just a bit more.ġ3.
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![]() Confluence offers a series of macros, such as Display Pages with Labels, that will help you display and organise the content you identified and prepare it for the next step. However, if that space is meant to be used as a welcome space, for department info, documentation, etc., you will certainly need to reorganise it and add more contextual information.Īs you identify problematic pages and spaces, label them with ‘duplicate’, ‘needs-review’, etc. Sometimes, this will not be a problem: a small space may contain meeting notes or resources for a single project, and as long as the project team understands what is in there, there is no need to fuss. ![]() You will likely find many spaces that entirely lack context. This is a great way to ensure you can easily stay on top of your content in Confluence without needing to do the heavy lifting yourself.Ĭomparison between three spaces I selected in my demo instance using Space Statistics Find pages and spaces that are hard to navigateĬontent quality can also refer to how easy it is to navigate a space. Then either run the job now or schedule it so you're regularly notified of pages that are getting old and less relevant to your users. Use a CQL query to focus on the content you're interested in and find pages that haven't been modified in a long time. An easy way to find these pages is by using the ‘Old Content notifier’ job in ScriptRunner for Confluence. If pages (and spaces) haven’t been updated in a long time, you may no longer need them. If you are already tracking your Confluence instance with Google Analytics, you can see that information in the analytics console. You can use the Confluence Usage Stats plugin from Atlassian (note that it is known to cause performance problems on large installations) or other apps available on the Marketplace. The next step is a deeper dive into your content: Find pages and spaces that are not getting views and updates.įinding pages and spaces that get little to no views is a good way to find potentially unnecessary content. Once you have categorised your spaces, you will have a better understanding of the main things you need to tackle. Are you really using all the apps you’re paying for? Can you save money by replacing multiple smaller apps by one app with multiple features? Step 2: investigate content quality It’s good practice for a general cleanup operation to also take stock of the apps used on your instance. ![]() Optical Drive (I:) : N/A ATAPI iHAP322 9 (ATA66, DVD+-RW, CD-RW, 2MB Cache) Removable Drive (K:) : 8GB (FAT32) 410 RamBo USB 2.0 8.3GB (USB) ![]() OpenCL Processor : NVIDIA GeForce GTX 560 (336SP 7C 1.66GHz, 1GB)Ĭompute Shader Processor : NVIDIA GeForce GTX 560 (336SP 1.66GHz, 1GB)ĬUDA Processor : NVIDIA GeForce GTX 560 (336SP 7C 1.66GHz, 1GB) Model : ASUS P35/G33/G31 Processor to I/O Controller Multi-Processor Advanced PIC (APIC) : Yes L2 Cache : 2x 4MB, ECC, Synchronous, ATC, 16-way, 64 byte line size, 2 threads sharingīus(es) : ISA X-Bus PCI PCIe IMB USB FireWire/1394 i2c/SMBus Integrated Data Cache : 4x 32kB, Synchronous, Write-Thru, 8-way, 64 byte line size Model : Intel(R) Core(TM)2 Quad CPU Q6600 2.40GHz The fact that PT9 works perfectly with the audiophile 2496 makes me think the problem is related to either the Siig 1394 PCI card or the 002.Īny clues to how I can resolve this would be much appreciated The 002 works perfectly in standalone mode. I have done all the troubleshooting tweaks, (Run as administrator, Trashed database and preferences, disabled startup items etc) Also have installed the latest 002 driver and tried different firewire cables as well as different 1394 ports.all to no avail. I use a SIIG PCI Firewire uld this be the problem? or maybe the 002 is faulty? When the computer boots up these words disappear, The Firewire 1394 LED flashes on and off. When I switch the 002 on it starts and the screen says Digi 002/ standby mode. I also have an audiophile 2496 installed, and when I enable it Pro Tools recognises the audiophile, but not the Digi 002. ![]() I am using a Digi 002 (Rev G with new power harness) and Pro Tools 9.0.6 on Windows 7 64 bit. When I try to launch Pro Tools, I get the error " Unable to locate hardware". I have had this intermittent problem the past few weeks (happening every 4 or 5 times I tried to open Pro Tools) It has now developed into a permanent issue. ![]() Tyler then covers the 16-step arpeggiator, which allows you to create rhythmic movement in captivating ways. ![]() Next, explore the modulation possibilities that exist within Augmented BRASS, including two LFOs, dedicated vibrato and tremolo, two random generators, and much more. The Sampler, which can be used to select from dozens of authentic brass samples as the basis of your sound, can be blended with the synth engine in countless ways to conjure up evocative tones for film soundtracks, video game scores, or even your next pop production. Then it’s on to the two layers, each of which contains two elements: sampler and synth. Tyler begins with an overview of the interface and layout of the instrument so that you’ll quickly get your bearings and know where everything’s located as we proceed through the tutorials. New users of Augmented BRASS should watch these videos. Everything is available here, from browsing presets to creating your own sounds from scratch. Tyler Coffin, a music production specialist, will lead you through every aspect of Augmented BRASS so you’ll be prepared to start creating your own masterpiece right away. Looking to give your productions a distinctive touch? With Augmented BRASS, a potent virtual brass instrument that enables you to easily create vibrant, inspirational soundscapes that range from accurate realism to otherworldly, you’ll learn how to accomplish just that in our Arturia Augmented BRASS video course. Augmented BRASS Explained® HiDERA | 19 August 2023 | 264 MB ![]() Val and the Heretics adopted a new lifestyle and took shelter within a tunnel system in the mines. In her journals, it is said Val is like a membrane awaiting penetration she wants the voice of whomever she is hearing to consume them. These eventually inspire Val to split off from the Testament and form the Heretics, aiming to assist the birth of the Anti-Christ rather than prevent it like the Testament, due to her love for the chaos and death the Anti-Christ and its apocalypse would bring. But nothing holy." Val then digs a tunnel in a remote area on the outskirts of town where she meets up with Testament followers like her who wish to discuss their dreams. ![]() She says " I feel increasingly this is a message. But it was wetness of my own making." These emissions make her question the beliefs of the cult. I woke this morning thinking I was wetted with the blood of a child's slit throat. And I wake laughing, and aroused, and often wet with the involuntary lust of sleep. ![]() But my dreams are nothing but the murder of my children. She begins to have vivid nocturnal emissions of the Testament's monstrous bloodshed, writing " Our sins find us in our dreams. Knoth forces her to kill countless of them for pragmatic reasons, however. Initially, Val was the foster parent of Temple Gate's ill children whom she sympathized with in her journals. Val started out as the chief deacon of Knoth. The outskirts of Temple Gate are littered with notes written through the perspective of Val telling her gradual rift in views between herself and Sullivan Knoth. ![]() Sometimes, there is no single command that you can use. Depending on your search criteria and how you want to define your groupings, you may be able to use a search command, such as append, associate, contingency, join, or stats. You can also use field lookups and other features of the search language. Use transactions to identify and group related events.Use time to identify relations between events.This chapter discusses three methods for correlating or grouping events: ![]() Use SQL-like inner and outer joins to link two completely different data sets together based on one or more common fields.Correlate your data to external sources with lookups.Create conditional searches, where you see the results of a search only if the sub-search meets certain thresholds. Use a sub-search to take the results of one search and use them in another.Identify the amount of time it took to complete the transaction and the number of events within a single transaction. Track a series of related events, which may come from separate IT systems and data sources, together as a single transaction.Use this correlation in any security or operations investigation, where you might need to see all or any subset of events that take place over a given time period or location. Identify relationships based on the time proximity or geographic location of the events.Splunk software supports event correlations using time and geographic location, transactions, sub-searches, field lookups, and joins. Event correlation is finding relationships between seemingly unrelated events in data from multiple sources to answer questions like, "how far apart in time did a specific set of events occur?" or "what's the total amount of time it took for a transaction to complete?" ![]() Previously: Masdar Headquarters Abu Dhabi Design Cooper-Hewitt and Smithsonian members and children younger than age 12 are admitted free. General admission, $15 senior citizens and students ages 12 and older, $10. The Cooper-Hewitt National Design Museum is at 2 East 91st Street at Fifth Avenue in New York City. “Being represented in this exhibit at the Smithsonian is a great thing for our firm, for Masdar and for the cause of sustainable architecture around the globe,” Gordon Gill added. “It’s a wonderful acknowledgement of our work and we’re extremely proud of it.” ![]() “We’re delighted to be part of the National Design Triennial,” Adrian Smith said. Key developments across design disciplines will be presented through eight themes: energy, mobility, community, materials, prosperity, health, communication and simplicity. The exhibition examines why design thinking is an essential tool for solving some of today’s most urgent problems what draws creative thinkers, makers and problem solvers to this crucial field of discovery and why business leaders, policy makers, consumers and citizens should embrace design values. Masdar Headquarters perfectly fits this year’s Design Triennial theme, “Why Design Now?” The show, which is presented every three years at the Cooper-Hewitt, explores the work of designers addressing human and environmental problems across many fields from architecture and product design to fashion, graphics, new media and landscape design. Masdar Headquarters is slated to host the executive leadership of the Abu Dhabi Future Energy Company, the developer of Masdar City, as well as the secretariat of the International Renewable Energy Agency (IRENA), an international organization promoting global use of energy from renewable sources. Masdar Headquarters is the centerpiece of Masdar City, a carbon-neutral, zero-waste development. Its signature features include the world’s largest solar panel array and eleven soaring cone-like structures which give natural ventilation, introduce natural daylight into the interiors and provide structural support for the roof canopy. It accomplishes this extraordinary feat with an integrated approach that combines architectural form, passive energy-efficiency strategies and cutting-edge energy generation technologies. ![]() Now in the early stages of construction outside Abu Dhabi, United Arab Emirates, Masdar Headquarters will be the world’s first large-scale positive-energy building, generating more energy than it consumes. The exhibition showcases design solutions that promote environmental stewardship, social equity, accessibility and creative capital in 134 projects from 44 countries. ![]() Inaugurated in 2000, the Triennial series seeks out and presents the most innovative, forward-thinking designs at the center of contemporary culture from the previous three years. 9, 2011, at the Smithsonian Institution’s Cooper-Hewitt National Design Museum in New York City. UAE HQ Development design by Adrian Smith + Gordon Gill Architecture, architectsįeatured In The 2010 National Design Triennial At The Smithsonian Institution’s Cooper-hewitt National Design Museum Masdar HQ NewsĬHICAGO, Masdar Headquarters, designed by Adrian Smith + Gordon Gill Architecture, is featured in the 2010 National Design Triennial, opening Friday, May 14, and continuing through Jan. Masdar Headquarters Abu Dhabi Building, Architect, UAE Eco Design Pictures, Sustainable Project Masdar Headquarters Abu Dhabi |
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